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This Review Reveals Minor Details About the Plot.

Cowboy Up!

Truth Be Told on IMDb

Plot Overview

Marriage
CounselingCollege Newsgeometric formula

photographerWelcomeJurassic
DinosaursFreshman cutie Annie Morgan (Candace Cameron Bure) tutors senior jock Mark Crane (David James Elliott) in math at Univ. of Colorado until she has to transfer out to be near family. She becomes a yet unmarried (!) marriage & family counselor and he a widower father of two, heading an after school program for disad­van­taged youth. Both attend a museum event in Denver hoping to tap donors for their programs, and they bump into each other. The kids get intro­duced. A roving photog­rapher snaps a photo of this “family” and Annie a people person mugs for the shot. An earlier met potential sponsor Alexander (“Call me Bish”) Bishop (Ronny Cox,) CEO of Bishop Communi­cations, wants to inter­view both at his New Mexico ranch and invites the supposedly married couple & family for a weekend stay. Annie persuades Mark to go along with it for now (“I just think there's some­thing bigger going on here.”)

happy huggetting
readyloversyouth at
playfarmerdinnerdish washingwedding
ringBish likes kids and he loves surprises. Sixteen-year-old Kenny “Neanderthal” Crane (Chris Brochu) falls for Bish's horse­woman daughter Eliza (Deanna Douglas) and hoping to prolong their stay he sabotages his parents' efforts to come clean about their ruse. Bish finds it “curious” Mark's excessive modesty in not changing in front of his “wife.” Bish's wife Sophia (Belita Moreno) observes their married guests do not wear wedding rings. To set their minds at ease, the rancher springs on them an old New Mexico custom of renewal of vows. In front of witnesses he declares that from this time forward they will find in each other their warmth and companion­ship. The meaning is clear and they may consent with a symbolic kiss. It's time to fish or cut bait. The result is, “Now, that was a kiss!”

Novelist Peter Mountford writes that “the usage of to commute before the 1800s simply meant to change or substitute one thing for another; often it implied substituting a penalty for one less onerous” (41–2). It is evident that the couple's weekend date got commuted to life. Consulting anthro­pologist Marvin Harris on What is Marriage? we read:

One of the problems with the proposition that the nuclear family is the basic building block of all domestic groups is that it rests on the assumption that widely different forms of matings can be called “marriage.” Yet in order to cover the extra­ordinary diversity of mating behavior characteristic of the human species, the definition of marriage has to be made so broad as to be confusing. —

Since the term marriage is too useful to drop altogether, a more narrow definition seems appropriate: Marriage denotes the behavior, sentiments, and rules concerned with coresident hetero­sexual mating and reproduction in domestic contexts.

To avoid offending people by using marriage exclusively for coresident hetero­sexual domestic mates, a simple expedient is available. Let such other relation­ships be designated as “noncoresident marriages”, “man-man marriages”, “woman-woman marriages,” or by any other appropriate specific nomen­clature. It is clear that these matings have different ecological, demograph­ic, economic, and ideological implications, so nothing is to be gained by arguing about whether they are “real” marriages. (317–18)

mom and daughter hugMark and Annie have a “noncoresident marriage” after the ranch episode and being miserable apart have gone back to dating. Thirteen-year-old Zoe Crane (Emma Gould) calls Annie “Mom.”

Ideology

This is a slowed down zany comedy dressed up as family enter­tain­ment. A proverbial formula even tele­graphs what's about to take place: (Prov. 30:18-19) “There be three things which are too wonderful for me, yea, four which I know not: The way of an eagle in the air; the way of a serpent upon a rock; the way of a ship in the midst of the sea; and the way of a man with a maid.”

jet pilot“The way of an eagle in the air.” Ex-combat pilot Bishop takes flight panicky Mark for a ride in his helicopter where he does acrobatics including loop-de-loops. To Bish it's a load of fun, but Mark seriously wants to land. There is at least one inversion of plot when the straight couple pretending to be married must share a room. Mark sleeps on the floor making it a fun sleep-over, but some in our family-friendly audience might have a conniption. The couple's history in Boulder could well have brought them into contact with the hippie contingent there who would, naturally, have been very accom­modating about sleeping arrangements.

tyrannosaurus rex“The way of a serpent upon a rock” corresponds to the dinosaur exhibit at the museum—dinosaur means giant lizard. Kenny steps over the exhibit ropes and puts his head in T-rex's mouth as roaring sound effects play in the back­ground. Part of Annie's counseling includes telling her clients to be bold in love, advice that she might want to take, herself.

poolside family“The way of a ship in the midst of the sea” corresponds to the cork­screw slide at Bishop's pool. His guests ride down it in inflatable porpoises. There's at least one major twist in the plot. Bishop's code of honor is heavily based on telling the truth, which his guests took a lot of liberty with, but Bish, himself, had them there under false pretenses; he was hoping Annie the counselor could help his troubled son and daughter-in-law's marriage.

football player“The way of a man with a maid” is all over the place. Jake (Michael Sheets) & Lucia Bishop's marriage turned a corner, Mark and Annie are not so much happily-ever-after as Rome-wasn't-built-in-a-day, and Zoe has her doubts whether her neanderthal brother can maintain a long distance relation­ship once the weekend at the ranch is over. In the billiards game the shooter was advised to “aim slightly off center to get a good break.” Mark had an angle in college not telling his cute tutor Annie that math was really his best subject. It led to her ease at seeing him again, and the casual picture pose, and its consequences. The break sent those balls zinging every which way. For that matter it was memorable the hard hit Mark gave one football player, which knocked him senseless.

Production Values

” (TV Movie 2011) was directed by Jonathan Frakes. It was written by Wesley Bishop and Alan Marc Levy as if it were a pilot to be picked up with strings going in different directions. It stars Candace Cameron Bure, Ronny Cox and Belita Moreno. Candace was gorgeous, but so are all the co-eds at Univ. of Colorado. Cox and Moreno were strong but it's not realistic to expect them to carry it. The other actors were good in a high schoolish sort of way. The local band sucked.

It's not rated but was made for family entertainment. Movies for theater are generally edgier to give them an advantage over competing TV. I wouldn't buy a TV set to see this fare but it's worth the investment in a stand-alone DVD player I can watch other movies on, too. Runtime is 1 hour 35 minutes.

Review Conclusion w/a Christian's Recommendation

I'm a country boy who ran with the hippies and now live in the west, so this movie was right up my alley. It should also be entertaining for children though it deals with adult problems. Some of it might have to be explained to the young-uns. Some­body might have to explain it to me, economics and history, not­with­standing some of it hits close to home. At least it allows one time to think the plot through.

Movie Ratings

Action Factor: Weak action scenes. Suitability for children: Suitable for children with guidance. Special effects: Well, at least you can't see the strings. Video Occasion: Better than watching TV. Suspense: A few suspenseful moments. Overall movie rating: Three stars out of five.

Works Cited

Scripture quoted from the King James Version. Pub. 1611, rev. 1769. Software.

Harris, Marvin. CULTURE, PEOPLE, NATURE: An Introduction to General Anthropology fifth edition. New York: Harper & Row Publishers, 1988. Print

Mountford, Peter. The Dismal Science. Copyright © 2014 by Peter Mountford. Portland, Oregon and Brooklyn, New York: Tin House Books, First U.S. edition 2014. Print.